| 24 Varied Scales And Exercises For Clarinet
Clarinette Carl Fischer
In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche...(+)
In All Major and Minor
Keys.
Composed by J. B. Albert.
Edited by Julie DeRoche.
Book.
With Standard notation.
32
pages. Carl Fischer Music
#O99X. Published by Carl
Fischer Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| James Blunt - All the Lost Souls Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
By James Blunt. Piano/Vocal/Chords Songbook (Arrangements for piano and voice wi...(+)
By James Blunt.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 68 pages.
Published by Hal Leonard.
(7)$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| One Direction - Up All Night Piano, Voix et Guitare Hal Leonard
By One Direction. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. So...(+)
By One Direction. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 80
pages. Published by Hal
Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| One Direction - Up All Night Piano Facile - Facile Hal Leonard
By One Direction. For Piano/Keyboard. Easy Piano Personality. Softcover. 72 page...(+)
By One Direction. For
Piano/Keyboard. Easy
Piano Personality.
Softcover. 72 pages.
Published by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sesame Street Songbook
Piano, Voix et Guitare [Partition] Hal Leonard
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Published by
Hal Leonard.
(3)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Advent Trilogy (Three Men of Christmas) Voix Mezzo-Soprano, Piano Subito Music
Mezzo-Soprano & Piano SKU: SU.32040040 For Mezzo-Soprano & Piano. ...(+)
Mezzo-Soprano & Piano
SKU: SU.32040040
For Mezzo-Soprano &
Piano. Composed by
Amy Riebs Mills.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Piano Vocal Score. Subito
Music Corporation
#32040040. Published by
Subito Music Corporation
(SU.32040040).
Mezzo-Soprano &
Piano Duration: 17'
Composed: 2014 Published
by: Amy Mills Music, LLC
These three art songs can
be performed
independently or in
sequence, at any time of
the year. Stuart
McAlpine’s profound
text explores three men
from the Christmas story,
Joseph, the Inn-keeper,
and Simeon. The creative
and beautiful musical
settings allow for
powerfully dramatic
interpretation and
performance. To Joseph
(who taught me how to
look at art) The singer
sings to Joseph, …you
beheld a work of art, the
making of a holy heart…
and watching through
Joseph’s eyes, when
hung at last, its meaning
was decreed. (4:40) The
Inn-keeper’s Lament
McAlpine brilliantly
explores the
possibility…what if the
inn-keeper who turned
away Mary & Joseph later
became the inn-keeper who
accepted the injured man
brought in by the Good
Samaritan? This
powerfully dramatic piece
depicts the Bethlehem
inn-keeper’s bravado,
Caeser’s decree was
heaven sent, as guests
raised glasses, I raised
rent! But as the enormity
of his mistake became
apparent, in later years
he bemoans, …if I’d
known then what I know
now… and finally
declares at the end, I
know now! (7:50)
Simeon’s Last Prayer
Simeon sings of being
summoned to the temple
where he holds his infant
Savior. …then as
grandfathers do, rejoiced
as if he were my
one-and-only too. As he
leaves he whispers his
final prayer, …dismiss
your servant, to find You
face-to-face. (4:30)
Difficulty Level:
Baritone/Mezzo-Soprano 6
(Professional) (Baritone
Range: low A (optional
low G) to high F#
(optional high G,A)
(Mezzo Range: low A
(optional low G) to high
G (optional high A) Piano
6 (Professional)(Same
level as Debussy or
Ravel) See also the
version for Baritone
Voice and Piano See
composer website for
audio sample. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Advent Trilogy (Three Men of Christmas) Voix Baryton, Piano Subito Music
Baritone voice & Piano SKU: SU.32040041 For Baritone & Piano. Comp...(+)
Baritone voice & Piano
SKU: SU.32040041
For Baritone &
Piano. Composed by
Amy Riebs Mills.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Piano Vocal Score. Subito
Music Corporation
#32040041. Published by
Subito Music Corporation
(SU.32040041).
Baritone Voice
& Piano Duration: 17'
Composed: 2014 Published
by: Amy Mills Music, LLC
These three art songs can
be performed
independently or in
sequence, at any time of
the year. Stuart
McAlpine’s profound
text explores three men
from the Christmas story,
Joseph, the Inn-keeper,
and Simeon. The creative
and beautiful musical
settings allow for
powerfully dramatic
interpretation and
performance. To Joseph
(who taught me how to
look at art) The singer
sings to Joseph, …you
beheld a work of art, the
making of a holy heart…
and watching through
Joseph’s eyes, when
hung at last, its meaning
was decreed. (4:40) The
Inn-keeper’s Lament
McAlpine brilliantly
explores the
possibility…what if the
inn-keeper who turned
away Mary & Joseph later
became the inn-keeper who
accepted the injured man
brought in by the Good
Samaritan? This
powerfully dramatic piece
depicts the Bethlehem
inn-keeper’s bravado,
Caeser’s decree was
heaven sent, as guests
raised glasses, I raised
rent! But as the enormity
of his mistake became
apparent, in later years
he bemoans, …if I’d
known then what I know
now… and finally
declares at the end, I
know now! (7:50)
Simeon’s Last Prayer
Simeon sings of being
summoned to the temple
where he holds his infant
Savior. …then as
grandfathers do, rejoiced
as if he were my
one-and-only too. As he
leaves he whispers his
final prayer, …dismiss
your servant, to find You
face-to-face. (4:30)
Difficulty Level:
Baritone/Mezzo-Soprano 6
(Professional) (Baritone
Range: low A (optional
low G) to high F#
(optional high G,A)
(Mezzo Range: low A
(optional low G) to high
G (optional high A) Piano
6 (Professional)(Same
level as Debussy or
Ravel) See also the
version for Mezzo-Soprano
and Piano See composer
website for audio
sample. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 36 Celebrated Studies for the Cornet Carl Fischer
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited b...(+)
Chamber Music Cornet
SKU: CF.O88X
Composed by Narcisse
Bousquet. Edited by Joey
Tartell Edwin Franko
Goldman. SWS. Softcover.
With Standard notation.
44 pages. Carl Fischer
Music #O88X. Published by
Carl Fischer Music
(CF.O88X). ISBN
9781491153406. UPC:
680160910908. 9 X 12
inches. These
studies are a staple of
the advanced trumpet
method repertoire. Each
etude is an exploration
of a wide variety of
registers, articulations
and tonalities. While
going through these 36
etudes the trumpeter will
develop an even sound in
all registers while
tackling the musical and
melodic challenges that
lie
within. IntroductionTi
ps on Musical
PracticeStarting a new
study can be
overwhelming. Using Etude
No. 1, here’s an
example of how to
approach working on these
etudes with both
musicality and technique
in mind.Bousquet’s
first study can be broken
down into three large
musical sections:Section
1: from the beginning to
the downbeat of m.
26.Section 2: from the
upbeat of 2 in m. 26 to
the downbeat of m.
51.Section 3: from the
downbeat of m. 51 to the
end.Each one of those
sections can be broken
down into two smaller
sections:Section 1a: from
the beginning to the
downbeat of m. 16.Section
1b: from the downbeat of
m. 16 to the downbeat of
m. 26.Section 2a: from
the upbeat of 2 in m. 26
to the end of m.
35.Section 2b: from m. 36
to the downbeat of m.
51.Section 3a: from the
downbeat of m. 51 to the
downbeat of m. 59.Section
3b: from the downbeat of
m. 59 to the end.To get
started playing, choose a
slow tempo that allows
you to play Section 1 all
the way through without
stopping. If that is
problematic, just play
through 1a.Remember to
focus on the music.
Section 1a is light,
moving in four-measure
phrases to the ninth
measure, where it
cadences in G. From
there, retain the
lightness through the
arpeggiation that
concludes with the trill
that brings an arrival
point at Section 1b. Here
the style changes
completely, alternating
two measures of fluid,
connected sixteenth notes
with two measures of
scalar staccato
sixteenths before finally
cadencing on the downbeat
of m. 26.Section 2 begins
with a melodic line of
eighth notes, punctuated
by sixteenths in the
third full measure before
returning to the original
line for only a measure
before driving forward
with a flourish to finish
Section 2a. Section 2b
starts back in C with
four-measure phrases in
which the line moves up
for two measures, then
down for two measures,
ending in G. The last
seven measures of Section
2 stay light as they work
their way back to
C.Section 3 is very
exciting, starting with a
fiery cornet solo-like
passage in 3a. 3b brings
the piece to a dramatic
conclusion outlining C
major for the first four
measures before
arpeggiating C major and
G dominant for two
measures, finally
finishing with the
C-major scale.The next
step is to isolate any of
the parts that proved
troublesome. Examples
could include missed
notes or figuring out
where to breathe. Once
you have practiced the
troublesome sections in
isolation, play the
section all the way
through without stopping
again. Even if there are
still problems, you are
now practicing in a way
that is preparing you to
perform musically.The
next day, play through
Section 1 again, at a
tempo that allows you to
do this without stopping.
Now go on to Section 2,
and follow the same three
steps:Play all the way
through, at a tempo that
allows you to do so
without stopping,Isolate
and practice the
troublesome passages,
thenPlay all the way
through, at a tempo that
allows you to do so
without stopping.Now play
from the beginning to the
end of Section 2.The next
day, play Section 1. Now
play Section 2. Then play
Section 3 and apply the
same three steps outlined
above.Now play the whole
study. At this point you
have spent time on each
section, making musical
decisions and correcting
mistakes. Increase the
tempo as you gain
confidence and control of
the material. As you work
towards performing the
entire study as a piece
of music, record yourself
playing the entire study
as a performance each
day. Review the
recordings to reveal what
still needs work. Be
honest with yourself!
When you are happy with
the recording of your
performance, it’s time
to move on to the next
study.About the Goldman
PrefaceThese studies will
be an excellent practice,
especially for the lower
register of the Cornet,
which is somewhat
neglected in other
instruction books. It is
recommended that the
pupil should practice one
of this series of Studies
now and then to repose
his lips, and acquire
facility in difficult
fingering.— Edwin
Franko GoldmanIn his
original preface, Edwin
Franko Goldman is
absolutely correct that
these studies are
excellent practice and
will help with the
dexterity demanded of
today’s player.
Although the low register
is certainly explored
throughout the book, it
does not appear to be the
focus of these studies.
There are many books
available now that
concentrate on the low
register. The suggested
fingerings have been
removed. Using alternate
fingerings was more
common to cornet players
to aid in the fluidity of
a passage. This practice
is not nearly as common
today, especially with
trumpet players, as the
difference in timbre
caused by the alternate
fingerings is disruptive
to the musical line.
Published for cornet, as
it was the solo
instrument of choice in
the 1920s, these etudes
are just as useful to
today’s trumpet player.
When playing these
studies on trumpet, the
performer should strive
for a fluid line while
maintaining a full and
clear sound. Because of
the musicianship and
technique demanded, this
book remains as useful
today as it has ever
been.— Joey
TartellAbout Narcisse
Bousquet and the 36
EtudesNarcisse Bousquet
(c. 1800–1869) was
French by birth, active
as a composer, editor and
arranger in both France
and England in the early
nineteenth century.
Bousquet was respected as
an accomplished performer
of the French flageolet,
a high-pitched woodwind
instrument much like a
recorder, although later
outfitted with the Boehm
key system like the
modern flute. Although
obsolete in modern times,
the instrument once
enjoyed great popularity
with a variety of
composers and performers,
both amateur and
professional. Purcell and
Handel composed for the
instrument, and Berlioz
was purportedly an
accomplished amateur
performer of the
flageolet. The Scottish
author Robert Louis
Stevenson, likewise, was
a proficient performer of
the instrument and
composed a number of
pieces for it.Little is
known today of
Bousquet’s life. He
composed a large variety
of music, including works
specifically for the
flageolet, which were
widely appreciated in
their day. The 36 Etudes
for flageolet are
undoubtedly the most well
known of his works.
Published in 1851, the
Etudes explore a variety
of techniques, such as
scales, arpeggios,
ornamentation, breath
control and expressive
playing, and their
technically demanding
writing confirms
Bousquet’s prowess as a
flageolet performer.
However, the date of the
arrangement of the etudes
for cornet and their
arranger remain
speculative. Edwin Franko
Goldman is credited as
the arranger of the 1890
publication by Carl
Fischer, although Goldman
would have been only
twelve years old at the
time; his work on these
pieces surely came at a
later time. Bousquet
himself may have arranged
these pieces for cornet
at the request of an
accomplished cornet
player at some point
after their
publication. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singet dem Herrn Chorale SATB Gehrmans Musikforlag
SATB choir divisi+SATB choir divisi SKU: GH.GE-10577 Motet No. 2. ...(+)
SATB choir divisi+SATB
choir divisi SKU:
GH.GE-10577 Motet
No. 2. Composed by
Sven-David Sandstrom.
With Language: German.
Duration 11 minutes.
Gehrmans Musikforlag #GE
10577. Published by
Gehrmans Musikforlag
(GH.GE-10577). ISBN
9790070105774. Text:
Biblical / Johann
Gramann. After the
model of J.S. Bach,
Sandstrom has composed
six motets to the same
texts as the old master.
The colourful tonal
language is unmistakenly
Sandstrom's own, that
sometimes requires
virtuosity and always a
sense for timbre and for
expression. $24.15 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3103649 Cantata for the...(+)
SATB vocal soli, SATB
choir, orchestra SKU:
CA.3103649 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent, Christmas. Single
Part, Organ. Composed
1731. BWV 36. 20 pages.
Duration 31 minutes.
Carus Verlag #CV
31.036/49. Published by
Carus Verlag
(CA.3103649). ISBN
9790007205690. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and part
available separately -
see item CA.3103600. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lake Street Dive Sheet Music Collection Piano, Voix et Guitare Hal Leonard
By Lake Street Dive. Piano/Vocal/Guitar Artist Songbook. Pop, Rock. Softcover...(+)
By Lake Street Dive.
Piano/Vocal/Guitar Artist
Songbook. Pop, Rock.
Softcover. 112 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, piano reduction SKU: CA.3103603 Cantata f...(+)
SATB vocal soli, SATB
choir, piano reduction
SKU: CA.3103603
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Vocal score.
Composed 1731. BWV 36. 44
pages. Duration 31
minutes. Carus Verlag #CV
31.036/03. Published by
Carus Verlag
(CA.3103603). ISBN
9790007171605. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Music Teacher's Guide to Engaging English Language Learners GIA Publications
SKU: GI.G-10665 Composed by Angela Ammerman. Classical. 204 pages. GIA Pu...(+)
SKU: GI.G-10665
Composed by Angela
Ammerman. Classical. 204
pages. GIA Publications
#10665. Published by GIA
Publications
(GI.G-10665). ISBN
9781574635379. Cont
ributors: Jaimie
Abney-Giraldo • Angela
Ammerman • Han Sol
Chang • Charles R.
Ciorba • Jeanne Crowley
• Vivian Gonzalez •
Monica Guido • Kristina
Hamester • Essel Linton
• Linda Apple Monson
• Marcia Neel • Tony
Sauza • Ida Steadman
Very few music teachers
are prepared to address
the needs of the rapidly
growing population of
English Language Learners
(ELLs). Whether you have
just one ELL in your
classroom or 50, this
book provides
discipline-specific tips,
strategies, examples,
classroom management
recommendations and much
more. Written by
experienced music
educators with
backgrounds in concert
band, modern band,
chorus, orchestra,
mariachi, special
education, higher
education, general music
and administration, this
highly interactive text
will guide you to reach
optimal engagement with
ALL students while
addressing communication
barriers. Being in
orchestra made me feel
safe and welcome because
we all speak the same
language: music.
—Janine Manila,
Philippines After music,
I feel changed. I don’t
feel sleepy and worrying,
and also I’m not afraid
of mistakes. I am wanting
to play again. —Somsak
Chiang Mai,
Thailand It was like
playing with others with
no words. No words, yet
we were able to
understand what we wanted
by looking at each
other’s eyes, body
motion, and listening to
each other. —Da Hoen
Seoul, South Korea
Music brings people
together. Music is about
seeing myself in another
and letting another see
themselves in me.
—Larisa Brasov
Romania Last year, I
missed 150 days of
school. I just didn’t
go to school. This year,
I haven’t missed a
day… The only
difference in my life is
this program right here.
This program has saved my
life, and now, I am going
to graduate. —Maria
Mexico. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Chorale SATB Carus Verlag
Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach (...(+)
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas,
Advent, Christmas. Full
score. Composed 1731. BWV
36. 52 pages. Duration 31
minutes. Carus Verlag #CV
31.036/00. Published by
Carus Verlag
(CA.3103600).
$38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal
soli, SATB choir, 2 oboe
d'amore, 2 violins,
viola, basso continuo
SKU: CA.3103607
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Study score.
Composed 1731. BWV 36. 52
pages. Duration 31
minutes. Carus Verlag #CV
31.036/07. Published by
Carus Verlag
(CA.3103607). ISBN
9790007244910. Language:
German/English. Bac
h's well-known church
cantata Schwingt freudig
euch empor BWV 36 (Up
joyous raise your song),
first heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lobet den Herrn Chorale SATB SATB/SATB (Double) Gehrmans Musikforlag
(Motet No. 1). By Sven-David Sandstrom. For SATB SATB choir (a cappella). Langua...(+)
(Motet No. 1). By
Sven-David Sandstrom. For
SATB SATB choir (a
cappella). Language:
German. Duration 6
minutes, 30 seconds.
Published by Gehrmans
Musikforlag
$16.79 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Komm, Jesu, komm Chorale SATB Gehrmans Musikforlag
SATB choir divisi+SATB choir divisi (a cappella) SKU: GH.GE-10852 Mote...(+)
SATB choir divisi+SATB
choir divisi (a cappella)
SKU: GH.GE-10852
Motet No. 3.
Composed by Sven-David
Sandstrom. With Language:
German. Duration 8
minutes. Gehrmans
Musikforlag #GE 10852.
Published by Gehrmans
Musikforlag
(GH.GE-10852). ISBN
9790070108522. A4 inches.
Text: Paul
Thymich. Motet No 3
for double choir a
cappella. After the model
of J.S. Bach, Sandstrom
has composed six motets
to the same texts as the
old master. The colourful
tonal language is
unmistakenly Sandstrom's
own, that sometimes
requires virtuosity and
always a sense for timbre
and for expression. $12.08 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Orchestre Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3103619 Cantata for the...(+)
SATB vocal soli, SATB
choir, orchestra SKU:
CA.3103619 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent, Christmas. Set of
Orchestra Parts. Composed
1731. BWV 36. Duration 31
minutes. Carus Verlag #CV
31.036/19. Published by
Carus Verlag
(CA.3103619). ISBN
9790007172237. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and parts
available separately -
see item CA.3103600. $132.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A : A Precise Prelude and an Excellent March Orchestre d'harmonie [Conducteur et Parties séparées] American Composers Forum
Commissioned by American Composers Forum. Composed by Thomas Duffy. Score and fu...(+)
Commissioned by American
Composers Forum. Composed
by Thomas Duffy. Score
and full set of parts.
BandQuest. March.
Published by American
Composers Forum
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suite, Op. 25 Piano seul G. Henle
Piano Solo. Composed by Arnold Schö, nberg, and Arnold Schoenberg (1874...(+)
Piano Solo. Composed by
Arnold
Schö, nberg, and
Arnold
Schoenberg (1874-1951).
Edited
by Marte Auer. Henle
Music
Folios. Classical,
Modern.
Softcover. 46 pages. G.
Henle
#HN1548. Published by G.
Henle
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jesu, meine Freude Gehrmans Musikforlag
SMzATBarB choir SKU: GH.GE-11304 Motet No. 5. Composed by Sven-Dav...(+)
SMzATBarB choir SKU:
GH.GE-11304 Motet
No. 5. Composed by
Sven-David Sandstrom.
With Language: German.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11304. Published by
Gehrmans Musikforlag
(GH.GE-11304). ISBN
9790070113045. 185 x 262
mm inches. Text: Martin
Luther. After the
model of J.S. Bach,
Sandstrom has composed
six motets to the same
texts as the old master.
The colourful tonal
language is unmistakenly
Sandstrom's own, that
sometimes requires
virtuosity and always a
sense for timbre and for
expression. $18.30 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Proverb Chorale SATB SATB, Piano Schirmer
From '03 This New, Immense, Unbounded World. By Robert Kapilow. (SATB). Choral....(+)
From '03 This New,
Immense, Unbounded World.
By Robert Kapilow.
(SATB). Choral. 24 pages.
Published by G. Schirmer,
Inc.
$1.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Up joyous raise your song (Schwingt freudig euch empor) Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Clavier Carus Verlag
SATB vocal soli, SATB choir SKU: CA.3103605 Cantata for the 1st Sunday...(+)
SATB vocal soli, SATB
choir SKU:
CA.3103605 Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Choral Score.
Composed 1731. BWV 36. 8
pages. Duration 31
minutes. Carus Verlag #CV
31.036/05. Published by
Carus Verlag
(CA.3103605). ISBN
9790007172275. Language:
German/English.
Translation: Henry
Drinker. Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600. $5.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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